Arizona based. Travelling worldwide.
Intimate wedding & elopement photographer
New York was the next chapter. Street photography. No client, no brief, no assignment — just the city and whatever it offered on a given day. Those years on New York streets are the most direct line between my background and what you see in my Copenhagen work. The willingness to get low, to shoot into the light, to choose the unusual angle over the safe one — that's New York.
Copenhagen arrived and something clicked. A city that rewards patience. That changes completely with the season, the hour, the weather. That has architectural spaces — the bridge ornaments, the civic halls, the medieval cobblestone streets — that most photographers walk past as backdrop. I walk toward them.
I live here now, with my family. I know how January light sits differently on the frozen lakes than it does on the canals. I know which archway at which hour. I know this city the way a documentary filmmaker knows a subject — intimately, specifically, over time.
That knowledge is part of what you're booking.
I studied documentary filmmaking — not photography. That distinction matters. Film taught me to think in sequences, to understand how a story breathes, to find the frame that carries the whole chapter. Still images came later, as a natural extension of the same instinct.
Then came news. Years in video production for journalism organisations — the kind of work where you have ninety seconds to understand a situation, find the angle, and make something that tells the truth under pressure. You develop a particular kind of attention. You learn to disappear while everything happens around you. You get close without interrupting.
What you see in these images isn't a style I chose. — It's the only way I know how to work.
connect
hi, i'm DAN
If you're planning a Copenhagen wedding and want it to feel like itself — get in touch.
Whether I'm photographing your family visiting Copenhagen for the first time, documenting your wedding day in City Hall, or shooting a bridal editorial — the instinct is the same. Find the frame nobody else saw. Tell the story truthfully. Leave with images that stop people.
every story.
Every season. Every light.
Every season. Every light. Every story.
"Sylvie captured our day beautifully — stunning photos we’ll cherish forever!"
Benny & June
whatever your love looks like ,
I'll be there to witness it fully.
We rarely get the chance to glimpse how truly extraordinary our own stories are. Whether it’s a windswept elopement across the world or everyday life with your lover, my job—and my joy—is to make the things you feel into art you can see.
I tailor every experience to the couple, honoring the way you move through the world, the way you hold each other, the energy only you two share. No copy-paste timelines, no forced poses. Just honest, artful documentation that mirrors the soul of your connection—quiet, bold, playful, layered.
How I work is who I am.
Branding
The city is a character
I read the room.
I disappear.
The journalist's first skill — making people forget you're there. Not through passivity, but through presence without pressure. The best images happen when you stop performing for the camera. My job is to make that happen as quickly as possible.
Fifteen years of news work teaches you to understand a situation faster than most people can describe it. I walk into Copenhagen City Hall and immediately see the corridor light, the balcony angle, the specific shadow geometry of that afternoon. I'm planning the next five frames before the couple has found their footing.
Not a backdrop. Copenhagen has a specific visual intelligence — its light, its stone, its water, its architectural spaces. I've spent years learning how it holds people. Every session is a conversation between your family or your love story and this city. Both deserve to be in the frame.
